PPTC Poetry Collection I
In honor of Poetry Month, this April, the blog is featuring poems written by our club members. Their works brush words into art as they discuss their love of running, nature, art, and others. Our hope is that you find quiet meditation and rhythm in your breathing and your reading and running. This the first compilation of poems.
Three Haikus
Melissa Castillo (she/her)
1.
I ran to you then
circling the world. You were
my imagination.
2.
Every loop I pause
free the brain of my clutter
breathe us in the air.
3.
I wonder how long
I can keep running like this
Now I want to sprint.
to be a painter
Sidnee Denson (she/her)
what use to him is a painter?
still, i’ll do what good i can
i’ll draw him an open threshold
i’ll put a lit torch in his hand
beauty in its most completeness
is never found in a single body
but is something shared instead
between more than one body
cosmos — same as it ever was
will be, forever
it was all
it was nothing
it was more than enough
‘cause that’s all the life of a painter is
RISE/SET
D L Newton (she/her)
Did the sun rise yesterday morning or set
when I met the white stripes in the road
running out of time, lungs bursting regret
wondering if something in me will explode.
When I met the white stripes in the road
the pink sky slipped to slate in less than a minute.
Wondering if something in me will explode,
ricocheting all the desolation within it.
The pink sky slipped to slate in less than a minute.
Overlapping days and years, time bubbles
ricocheting all the desolation within it
stinging wounds never healed; songs of troubles.
Overlapping days and years, time bubbles
each hour shrinks with every dreamless night
stinging wounds never healed; songs of troubles
Still - if we go faster - we might touch the light
Each hour shrinks with every dreamless night
when I talk about running, I imagine this yet -
we could go faster - we might touch the light
the evening sunrise and the morning sunset.
* * * * *
(inspired by the lake in Prospect Park)
(The pantoum is a poem of any length, composed of four-line stanzas in which the
second and fourth lines of each stanza serve as the first and third lines of the next
stanza. The last line of a pantoum is often the same as the first.)
Disclaimer: The following poem discusses a heavy but important event.
Please be mindful when reading and we implore you to put your safety
and well-being first.
HARBINGER
D L Newton (she/her)
Though I’m unfinished
and I have no ears
I know you’re coming back
I feel you, hear you
before you arrive
the tempo of your feet
as gently, twigs give way to your weight.
Though I am just the outline
of my true self, the harbinger bones
of what will be
I long for your visits
to be seen through your imagination.
You’re running toward me again.
You approach me as if I am your church.
Not your church, no –
as if I am the home you would build
from all the faith and love and trust
all the music, all the reverent joy
of church. I imagine you in your Sunday best,
your hat respectfully held in your hands, stepping
up to my open doors.
I want to tell you that you are beautiful.
That you are welcome;
that you are home.
You whisper hello to me;
I am filled with the music of trees and birds.
Today you wear your running shoes, no socks,
your strong ankles bearing the full measure of you
a man in deed, still becoming a man.
You look for the light.
You step over my threshold
placing your finger where you’d place the switch
that would illuminate entering
the place where you feel safe. Proud.
The doors that aren’t here yet would close
and you would be inside me.
You come to me at different times of the day
seeking how the sun sets, how it rises,
where I might let its warmth and light in best.
In your mind, you map out my arteries and veins,
the nervous system you would fashion for me,
if I were yours;
If we could live together,
sensing, appreciating each other,
filling each other up with music, trust, faith, love,
and light.
No one else ventures through me like you;
they think of me as a pathway to profit.
I fear what they would hide inside me
what would grow in their shadows.
I fear it is the opposite
of the seeds you bring to me.
I wish I was closer to completion
I wish there was a way you could climb
to the very top of me
We would look out at the horizon
together.
I wish I was becoming more like
how you imagine me. I am loathe
to let you go.
Yet
you’ve filled yourself with enough of me
today to power you on, to dream
while you run, my veins and arteries
the paths to your heart.
And so you depart; you silently whisper
see you later
twigs give way to your weight gently
the tempo of your feet
harder to feel, to hear
you’re running away from me again.
You think you’ll tell your mother about me,
describing how the sun would warm
the breakfast nook; when the house
would fill with tiny, dancing rainbows.
Everything starts to darken
as the essence of you fades from me.
Something is terribly wrong;
the tempo is off: arteries strain to breaking
Rainbows snap and disappear with
shouting,
an explosion.
Clouds block the light.
No bird calls.
The twigs hold their breath.
Though I’m unfinished
and I have no ears
I fear you’re never coming back.
* * * * *
(Ahmaud Arbery was studying to become an electrician; this poem is written from the
point of view of the house under construction he visited on February 23rd and on
previous runs. I was inspired to write it after I read the Pulitzer Prize winning
article in Runner’s World about Ahmaud.)
Poems by: Melissa Castillo, Sidnee Denson, and D L Newton
Produced by: Rachael DePalma (she/her)
PPTC is a diverse and supportive team. We want to celebrate the
diversity of our club and membership. We welcome and
encourage everyone to share their stories with us.